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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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About Face articles

On the passage and pace of time

About Face article

In shock it fluctuates and with age, accelerates. Remembering the First World War and the Easter Rising.

Prison photograph of Ned Kelly c.1873, image courtesy National Museum of Australia.

The outlaws coolly disported themselves

Ned Kelly & co at Euroa, 9 and 10 December 1878

About Face article

'Each man arrayed himself in a new rig from head to foot, and even such luxuries as soaps and perfumery were not despised'

Grateful admiration and brotherly love

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In the earliest stages of the Great War, the Royal Pavilion in Brighton was turned into a military hospital, and arrangements made there to accommodate the different dietary and other requirements of Hindu, Sikh and Muslim patients.

Cocky McGrath

About Face article

The long life and few words of a vice-regal cockatoo

Opening of the First Legislative Council of Victoria by Governor Charles Joseph LaTrobe at St Patrick's Hall, Bourke Street West, Melbourne November 13th 1851

Magna Carta

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On this day eight hundred years ago at Runnymede near Windsor, King John signed Magna Carta.

Canberra Close Up: Angus Trumble

Desert Island Discs

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I agonized over the choice of four songs to take with me to the ABC Studios for Alex Sloan’s Canberra 666 afternoon program, a sort of iteration of the old BBC Desert Island Discs.

Angkor Wat

Angkor Wat

About Face article

Nothing quite prepares the first-time visitor to Cambodia for the scale and grandeur of the monuments of the ancient Khmer civilisation of Angkor.

Latai Taumoepeau and Justin Shoulder, 2014, printed, augmented 2023 from the series No Human Being Is Illegal (in all our glory) 2014–18 Deborah Kelly

A stitch in time: Participating in portraiture

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Author and embroidery enthusiast Emma Batchelor shares her experience of joining a sewing circle with Portrait23: Identity artist Deborah Kelly.

General Sir Thomas Makdougall Brisbane

Seeing stars

Celebrating Science Week

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It has been suggested that Sir Thomas Brisbane’s interest in the New South Wales governorship was as attributable to his passion for astronomy as to the desirability of the position as a prestigious career move.

Hell's mouth, 2019 Cam Neville

Facing the inferno

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Tara James speaks to Cam Neville about his portrait series, Firefighters.

Thomas Woolner

The mystery of Enoch Arden

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Tennyson's Enoch Arden was inspired by a story that Thomas Woolner passed on to him – but whose story and of whom?

Brooke Lockett, Heidi Martin, Karen Nanasca, Halaina Hills; New York, 2012 Lisa Tomasetti

Dance like everyone’s watching

About Face article

Penelope Grist’s spirits soar with Lisa Tomasetti’s Dancers in the Streets series.

20/20 launch speech

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Dr Helen Nugent AO, Chairman, National Portrait Gallery at the opening of 20/20: Celebrating twenty years with twenty new portrait commissions.

An evening at Yarra Cottage, Port Stephens

Maria Caroline Brownrigg

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At first glance, this small watercolour group portrait of her two sons and four daughters by Maria Caroline Brownrigg (d. 1880) may seem prosaic, even hesitant

Installation of ‘Face to Face: The New Normal’ at Wagga Wagga Regional Gallery, 2021 Vic McEwan

Facing the feeling

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Penelope Grist explores the interplay between medicine and portraiture in Vic McEwan’s Face to Face: The New Normal.

Mary, Queen of Scots by unknown artist, National Portrait Gallery of London

Portrait dendrochronology

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Angus's latest Trumbology is accompanied by the following caveat: 'This one is reeeeeeally geeky.'

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Phone +61 2 6102 7000
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency